Winifred FREEMAN
Freeman's middle name has been spelt variously as 'Winifride', 'Winefride', 'Winnifred' and 'Winifred' in the records of her exhibits, but the artist is now usually known as Winifrid Freeman. [Note: Wallace, followed by Tovey, uses 'Maud' for her first name, but this is not on her birth certificate, which records her birth in Falmouth 26 April 1866 (GRO)]
Her family were the owners of the Freeman Granite Works, near Penryn bridge, and thereby wealthy, which meant her interest in art could be indulged, and she began exhibiting with RCPS in 1887. A younger sister, Amy Mary Freeman, became the second wife of the artist Charles Napier HEMY.
Her friends were Henry Scott TUKE and Maria TUKE, and through introductions by them and her brother-in-law, Hemy, she was living at Newlyn by 1897 and her work associated with the Newlyn School. In 1902 she enrolled at the Herkomer Art School at Bushey, and when this closed in 1904 she stayed on.
Her watercolour subjects were mainly interiors, portraits, landscapes and coastal scenes. She also exhibited embroideries. Her embroideries A Flying Dutchman and The Vikings were exhibited at the NAG Christmas Show in 1924 and drew special praise: 'the latter being an original design by this well-known West country artist' (WMN).
In 1926 she moved from Falmouth to St Ives, and lived at 7 Bellair Terrace, but does not appear to have exhibited with STISA after 1941. A devout Roman Catholic, she was also unafraid of shocking others by smoking in public and riding on her bicycle in plus-fours with paints and easel strapped to her back. She died 8 August, 1961, age 95, and is buried in the Freeman family vault at Swanpool, Falmouth.
media
Painter in watercolours; embroiderer
works and access
Works include: The Resuscitation of St. Winifride (1900); Boats in Newlyn Harbour (1907); Newlyn Pier (1910); The Ponte Canonica, Venice and The Market at Cahors (1932); Canadian Winter and The Procession at Lourdes (1934); A Mountain Guide in the Pyrenees (1936); St Ives in Jubilee Time (1936); St Ives Town Council; The Studio (Kimberley Place, Falmouth) Interior; St Ives Parish Church, Interior with Red Carpet; Polperro Harbour; Street Scene at Cahors, France; The Saw Pit; Lowestoft Mackerel Boat; Street Scene St Ives; The Retreat; St Michael's Mount (1928); Portrait of Margaret Hemy (private collection); Hemy on Vandermeer (selected for poster for exh 2008, Falmouth AG)
Embroideries include: A Flying Dutchman and The Vikings (both 1924)
Access to work: The Retreat (watercolour of the property converted into The Guild Hall) now hangs in The Guild Hall, St Ives
exhibitions
RCPS 1888 onwards
RA 11 occasions between 1895-1912
RI
Liverpool
Birmingham
Manchester Society of Women Artists
Lanham's Winter 1923
NAG 1898, 1907, 1910, Winter Exhibition of Arts and Crafts December 1924, December 1925, 1928
STISA 1932, 1934, 1936 and 1937
Posthumous:
1996: Falmouth Art Gallery
2002: Penlee House, Penzance Women Artists in Cornwall 1880-1940 (Group)
2008: Falmouth Art Gallery Retrospective
memberships
STISA 1927-c1941 (Founder member)
NAG 1897 ff
misc further info
Dr Heiner Gillmeister (Correspondent)
references
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Bednar;
Graves RA Dictionary 1769-1904;
Hardie (1995)100 Years in Newlyn: Diary of a Gallery;
Hardie (2009) Artists in Newlyn and West Cornwall (p188-9, b&w repr)
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NAG sales records (repr Hardie 2009)
Penlee House Exhibition List Women Artists in Cornwall (2002);
Price Tuke’s Diary;
Price & Tonkin RCPS;
RCPS Proceedings;
Tovey (2003) Creating a Splash
Wallace et al (1996) Women Artists Exhibition catalogue;
Whybrow (1994) St Ives (1921-1939 list pp 219-21);
The Year’s Art